Spatial Audio Training
A skills development initiative carried out by IAC.
In this 3 day-training, we will explore spatial audio at an introductory level. It is aimed at those who have experience in working with sound art and want to explore the tools available for creating Spatial Audio pieces. The focus will primarily be on binaural headphone listening with the potential for presentation through larger speaker systems. We will use free, openly available software so that participants can continue developing their work independently after the training.
Start date/end date: 22–26 October 2026. Lunch is included.
Training mode: Full-time, 3 days. On-site. Extra hours for independent work. Individual and group work.
Prerequisites:
Applicants should have experience in audio recording and be proficient in working with a DAW (Digital Audio Workstation). The demonstrations during the training are primarily conducted in Reaper.
All participants must provide their own computer and have their own project idea. This is not a teacher-led course, but rather an opportunity to explore your own ideas through training.
TIME SCHEDULE
Thur, 22 October 2026
10:00–12:00 Introduction to spatial audio and the theory behind it.
13:00–16:00 Introduction to the equipment and venue; getting started with recording. Lunch break included.
Fri, 23 October 2026
9:00 Gathering and sharing of experiences.
10:00–16:00 Independent work on recording and mixing (with the option of supervision). Lunch break included.
Weekend, 24–25 October 2026: Independent work on recording and mixing (without supervision).
Mon, 26 October 2026
9:00 Gathering and sharing of experiences.
10:00 Individual work on recording and mixing (with the option of supervision). Lunch break included.
13:00–16:00 Presentations and discussion.
27–28 October 2026: Optional days for further independent work at IAC (without supervision).
Learning outcomes:
- Explore and experiment with spatial audio formats in a mixing process.
- Apply strategies to create a balanced mix with spatial audio that align with a conceptual or aesthetic vision.
- Gain knowledge in working with various Spatial audio plugins.
Content:
- Basic theory and history of Spatial Audio
- Overview of different spatial audio formats
- Producing and mixing recordings/samples binaurally in headphones
- Exporting mix/master for multi-speaker setup and/or headphones.
Location: Inter Arts Center, 4th floor, Bergsgatan 29, 214 22 Malmö
Teaching language: English
REGISTRATION
Deadline for registration: 15 September 2026
Motivation: Please describe in your registration why you would like to attend the training and what you expect to get out of it. Participants are obliged to take part in an evaluation after completing the training.
Selection is based on complementary skills.
The training is free of charge.
Registration: Please register here! Registration will open soon.
Contact: info [at] iac [dot] lu [dot] se (info[at]iac[dot]lu[dot]se), phone: +46 (0) 40 32 57 57
Instructor biography
Jonas Jönsson is a sound engineer and music producer. He has been employed at IAC since 2018 and has developed a growing interest in spatial audio during this time. At IAC, Jonas has supervised and planned the technical setup for many different spatial audio projects. He closely follows technological developments in the field and ensures that IAC's equipment is kept up to date with the appropriate hardware and software to support advanced spatial audio work.
In addition to his work at IAC, Jonas has been freelancing as a live sound engineer and music producer since 2013. Over the years, he has built broad expertise in recording, mixing, and mastering.
Registration: Spatial Audio Training
Deadline for registration: 15 September 2026.