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  • Home
  • About
  • Projects
  • Public events
  • Open Calls
  • Research
  • Media documentation
  • News
  • Long-term projects
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April 13th
09:00 at Black Room
On Orality. Writing and Compositional Practices in Relation to Text
Robert Willim, Annika Nyman, Kent Olofsson, Tale Naess, Jörgen Dahlqvist, Tanja Hylling Diers, Vanja Hamadi Isacsson, Magnus Bunnskog, Sima Wolgast, Elisabeth Hjorth, Christine Owman
April 14th
09:00 at Black Room
On Orality. Writing and Compositional Practices in Relation to Text
Robert Willim, Annika Nyman, Kent Olofsson, Tale Naess, Jörgen Dahlqvist, Tanja Hylling Diers, Vanja Hamadi Isacsson, Magnus Bunnskog, Sima Wolgast, Elisabeth Hjorth, Christine Owman
April 20th
15:00 at VR/Sound Lab
Immanence: The Reconstructed Pipe Organ / Sharing session
Calum Builder / Make Sound Residency
April 23rd
15:00 at Red Room
Ear Sound Scape VII
Darren Copeland, Jørgen Teller, Jakob Riis
April 25th
15:00 at Black Room
Work in progress sharing: Bio Feedback Laboratory / Make Sound Residency
LYD PORT (Mai Ane Pil Siedentopp, Morten Schmidt)
April 27th
20:00 at Red Room
Fabio Monni plays Bernard Parmegiani – Espèces d’espace and Litaniques
PARMEGIANI 10 YEARS I.
10:00 at Red Room
Acousmonium workshop
by Alessandro Perini 
April 28th
21:30 at Red Room
Alessandro Perini plays Bernard Parmegiani – De Natura Sonorum – in collaboration with SOUND SPACES
PARMEGIANI 10 YEARS III.
18:00 at Black Room
Screening: The Window of Dreams (2018) by Cendrine Robelin
PARMEGIANI 10 YEARS II.
23:00 at Red Room
Marco Marini plays Bernard Parmegiani
PARMEGIANI 10 YEARS IV.
20:00 at Red Room
Francesco Del Nero
in collaboration with SOUND SPACES
April 29th
18:00 at Black Room
Screening: Echos (2021) by Eléonore Huisse and François J. Bonnet.
In collaboration with the Sound Environment Center in Lund.
23:00 at Red Room
François J. Bonnet plays Éliane Radigue – L’île re-sonante
In collaboration with the Division of Musicology at Lund University / Sound Environment Center in Lund
21:30 at Red Room
Lola Ajima plays Bernard Parmegiani
PARMEGIANI 10 YEARS V.
20:00 at Red Room
Concepts of:
Christina Isaxon, Leif Lönnblad, Kent Olofsson, Jakob Riis
16:00 at Black Room
Artist Talk with François J. Bonnet and Katja Heldt about Éliane Radigue
In collaboration with the Division of Musicology at Lund University / Sound Environment Center
April 30th
16:00 at Red Room
Artist talk with Marco Marini
PARMEGIANI 10 YEARS VI.
17:30 at Black Room
Screening: Sisters with Transistors (2020)
by Lisa Rovner
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Inter Arts Center is a platform for artistic research and experimentation, established by Lund University.
Inter Arts Center is a platform for artistic research and experimentation, established by Lund University.
A person paints over a lettering. Photo.
projects
“The Possible”
Music Education at Malmö Academy of Music
March 27th - March 31st
The project “The Possible” will explore an eminently human phenomenon: our capacity to engage with the possible, to go beyond what is present, visible, or given in our existence. Possibility studies is an emerging field or research including topics as diverse as creativity, imagination, innovation, anticipation, counterfactual thinking, wondering, the future, social change, hope, agency, and utopia. The week at IAC is an incubator and innovation hub where teacher students experiment on ”the possible" from a cross art disciplinary perspective.
Organic structures. Photo.
projects
Bio Feedback Laboratory
Make Sound Residency
April 4th - April 25th
In “Bio Feedback Laboratory”, the interdisciplinary duo LYD PORT explores an interaction with kombucha SCOBY. The duo will work on magnifying the visual and sonically properties of the SCOBY to create musical ideas and process the SCOBY into a leather fabric for the scenography. The scenography is, at the same time, a costume for the performers and a percussion instrument and resonator for vocals to be experienced in immersive sound from tactile transducers.
The artist performing in a dark room. Photo.
events
Immanence: The Reconstructed Pipe Organ / Sharing session
20 April 2023

A sharing session to mark the start of Calum’s Make Sound Residency “Immanence: The Reconstructed Pipe Organ” (17 April to 5 May). The Reconstructed Pipe Organ is an instrument set free from captivity – an organ that is dismantled, brought down from the balcony to be reassembled and spread out around the room. Calum is working with the organ’s breaths, sighs, and growls, investigating how to develop and document this creature.
An installation hanging from a tree in the forest. Photo.
events
Ear Sound Scape VII
23 April 2023

In this special version of the 7th edition of “Ear Sound Scape”, we are proud to present electroacoustic compositions and soundscapes by composers from Canada, Denmark, and Sweden. Compositions in both multichannel and ambisonic formats, are presented in a spatial, and acousmatic concert in the 35+ loudspeaker large Acousmonium, that again this year are installed during a few weeks in April in the Red Room at IAC.
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Make Sound Residency! Deadline: 1 April 2023
Lili Nottrott, new operations coordinator at IAC!
IMMERSIVE DAYS #2. Download the booklet here!
projects
INTONAL 2023
Acousmatic Concerts & Screenings at IAC
April 27th - April 30th
A great part of this year’s acousmonium program will consist of a series of events entitled “PARMEGIANI 10 YEARS” with works by the great French composer Bernard Parmegiani, who passed away in 2013. Another great figure of contemporary music, Éliane Radigue, will be celebrated on Saturday night. On top of the performances and two artist talks, this year’s program also includes three documentary screenings. The program has been developed in collaboration with the Division of Musicology, the Sound Environment Centre at Lund University and SOUND SPACES.
Animated figure. Illustration.
projects
Introduction to 3D animation with Maya
MFA course open for PhD students within the Faculty of Fine and Performing Arts
March 13th - April 20th
This course introduces students to the major features of Maya: modeling, animation, texture, lighting, rendering, rigging and popular workflow. Concepts are quickly reviewed and explained and then demonstrated using Maya in advanced level. Students will gain proficiency by following class examples as well as creating projects and exercises. This course is offered in cooperation with the IAC as a master class (no credits given) for PhD students within the Faculty of Fine and Performing Arts. Registration is required.