‘An Image of What You See’, is an ongoing video project that reflects upon seeing, creating and mediating images through the perspectives of technology, economy, politics and geography. These questions are visualised through an interview with a director, talking about a film in the making. The project is an attempt to visualise the structure of technological mediation, where layer upon layer of information interact with each other.

In the current sound-based work, a kinetic sound sculpture is creating acoustic sound through movement of its own material derived from motorized and disorganized movements originated in the acoustic material itself. It interacts with electronic sound in a live performance. 'Con/current' is an interchanging sound piece that blends virtual and physical sound in a virtual and physical space. The work is part of the Make Sound Residency, which will end with a public presentation.

‘Breathtaking’ explores an erratic wondering music-making body. Following a performer's private relation to all that makes sound. Finding specific sounding materiality along the way and organizing its frequencies and distribute it into a room, creating a listening effect. Whether breath, gesture, voice, or any sound-making resources, everything what feels useful to the performer to create sonic happenings in the room, but as well to understand what the next thing is to do.

The project ‘trapped in bio’ is an interdisciplinary project including film, literature, forensic linguistics, image scan technologies and sculpture. With the starting point in a redacted detective file, Signe Boe is questioning how to write about someone without enclosing them in a description. During the residency, Signe Boe will be conducting video- and sound recordings that will become part of an interactive publication, where new digital technologies connect printed matter with film.

The project is primarily a collaboration between the electronic musician Sebastian Mullaert, Inkonst and Malmö Live concert hall. With a world premiere at Intonal 2020 at Malmö Live, the project, which lasts over 1.5 years, wants to develop new methods for the combination of electronic dance music and classical music. The first part of the project is concerned with building the right ensemble, the second part is dedicated to the creative process and the last part aims at the completion, promotion and premiere of the work.

A full weekend of workshops, songwriting and production sessions, and knowledge sharing. Addressed to people who are actively engaged in sound and music production. Only for women and transgender people (all genders, binary and non-binary). The recommended age is 20 years and up. The project Vem Kan Bli Producent is centered around creating a community for women and transgender people of all genders involved or interested in sound tech and music production.

Blackout is a unique, immersive, new performance work for one person at a time by artist Tim Bishop. The work takes place in complete darkness and uses spatial audio and haptic feedback to create a multi-sensory and evocative environment for a powerfully self-reflective experience. A voice and physical guide encourage participants on an introspective journey without visual stimuli. The work uses sound, touch and interaction to engage with perceptions of physical and virtual contexts, and to reflect on each participant's own unique presence in the universe.

Elisabete Finger (choreographer) and Manuela Eichner (visual artist) work together since 2015 mixing techniques and principles from choreography and collage. Their research evokes a certain “political ecology of things and people”, proposing other logics and organizations for this ensemble. Their artworks problematize the certainties and contradictions of what is generally taken as organic and artificial, natural and cultural.

Västra Hamnen could be seen as a perfect mirror of recent economical and societal developments. By its shift from an industrial area with the Kockums Kranen as the symbol of the city’s blue collars roots, to the most exclusive neighbourhood of the city, and with it the Turning Torso skyscraper as the new symbol of this change of identity and economy of the city. Hereby the main question is what the shift of these two landmarks tells about the urban, socio-political and economical shift in a post-welfare state environment...

The project will explore computer simulation, both as an artistic medium with the ability to generate complex forms and as a technology able to envision processes of becoming, revealing the creative potential of matter and energy. As simulation is used in scientific modeling to predict the development of real-world emergent phenomena and in engineering for design optimization, the project will look at how simulation is used both as a prophetic medium and as a sculptural tool.

Intonal is an annual festival for experimental and electronic music that has been held in Malmö, Sweden since 2015. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres, subgenres and unique expressions.

Working in the field of performance and contemporary dance, Sanna Blennow & Elise Brewer incorporate sound in their movement practice as a way to think around and create dance and performance from another angle. By developing and executing exercises where they drain our vocabulary of words, investigating the connection between gestures and spoken word, they are scattering, shifting and peeling off what makes sense in a speaking and communicative body. This creates a playground where fantasy is invited, and also where new ideas can expand and unfold.

‘Critical Dialogs’ is a contemporary art podcast that will investigate the latent potential of the podcast format to support critical dialogue and innovative forms of art criticism. ‘Critical Dialogs’ will explore emergent approaches to and forms for art criticism that are enabled by today’s media landscape and changing public sphere. Pilot episodes will take the form of conversations among professional art critics on topical issues such as decolonizing/queering art criticism, and the ethics of critique.