The project “Maintenance” investigates how certain images and objects shape and construct our idea of reality, authenticity and space, by examining souvenirs, toys, architectural floor plans, impulse responses, foley sound and programming languages. It consists of different animated scenes, populated by animated 3D-scans of souvenirs and cleaning supplies.

The project "Vem Kan Bli Producent" is centered around creating a community for women and transgender people of all genders involved or interested in sound tech and music production. This includes creating a national and international network, doing workshops, seminars, meet-ups and each year to have a longer educational program for active music producers. The idea is to make knowledge more accessible and to create and nurture a platform where people can find each other, share ideas and collaborate.

ShareMusic’s work contributes to the digital development that allows more inclusive ensembles and people to actively participate in artistic processes as co-creators. The residency comprises different workshops, where students from the Malmö Academy of Music, studying composition and arranging, work together with ShareMusic’s Elefantöra ensemble and musicians from Gageego! – ensemble for contemporary music. A range of interfaces will be explored and used, while working with digital technology and traditional instruments. The residency offers the ideal space and environment to further work towards the long-term goal to establish more people with different abilities becoming artists, being able to compose and/or perform music.

“Sound Matter/Waterways” is a live performed sound piece, exploring the physical and visual aspects of sound through the matter of water. Sanna Blennow and Rebecka Holmström are a choreographer/dancer and an artist/stage designer, working with sound as the connective tissue between them. Through the sounding matter of water, the artists are searching for possible narratives, trajectories, patterns, asking themselves about the relationship between body and sound.

Halla Steinunn Stefánsdóttir has been the artistic director of Nordic Affect since its inception in 2005. Believing that the exciting things happen "in the connection" Halla Steinunn’s work with the ensemble has been a tour de force when it comes to collaborative relationships with composers, visual artists, and producers. Furthermore she’s brought the spotlight to women’s role in music history, leading to projects such as HÚN/SHE which was broadcast by the European Broadcasting Service in 2015.

With degrees from The Royal Danish Academy of Music and Indiana University School of Music, Halla Steinunn now holds a PhD position in artistic research at Lund University, in a time where the divide between creator and performer is being questioned in theoretical writings and in practice.