Intonal at IAC
Oswaldo Maciá, Tony Cokes, Alessandro Perini, Francesco Del Nero, Nguyễn Thanh Thủy, Lisa Stenberg , Stefan Östersjö , Dante Tanzi, Giuseppe Pisano, Mads Kjeldgaard
24 April 2019 - 28 April 2019
The Intonal Festival at IAC presents a series of Acousmatic concerts in the Red Room, followed by a seminar. All days you can experience sound and video installations by Oswaldo Maciá and Tony Cokes. Intonal is an annual festival for experimental and electronic music that has been held in Malmö since 2015. The international program is covering a wide range of genres, subgenres and unique expressions. See the entire program and information about tickets here.
No Roof III , Frictions, Labyrinths in Sound, Les Automates de Descartes, Hertz, Dante Tanzi, Ars Nova Ensemble
6 April 2019 - 4 May 2019
SOUND SPACES was born with the aim to provide the city of Malmö with new music, opening up the perspective towards the most cutting-edge international sound-based practice. SOUND SPACES is a window open to the present world of music creation, with international composers and performers the program includes selected pieces, both instrumental and acousmatic.
INTONAL – Experimental music festival
Oswaldo Macia, Kate NV & Sasha Kulak, Tony Cokes, Aux 88, MCZO & Duke, Apartment House plays Julius Eastman’s, Femenine, Ilpo Väisänen, Burnt Friedman & Mohammad Reza Mortazavi + many many more
24 April 2019 - 28 April 2019
Intonal is an annual festival for experimental and electronic music that has been held in Malmö, Sweden since 2015. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres, subgenres and unique expressions.
Amfi #1-4 (working title)
Saga Gärde, Lisa Nordström , Tomas Romlöv, David Gülich, Lode Kuylenstierna, Felicia Mulinari, Lone Aburas, Athena Farrokhzad, Balsam Karam, Dimen Abdulla
1 January 2019 - 30 June 2019
The project AMFI # 1-4 (working title), deals with the question of how one with sound design and video can create a dramatic situation in a lyrical text performed on stage. The project aims to investigate the staged reading as a theatric form in order to create a new scene for contemporary drama – where texts are read and dramatized through video and sound design during a two years period as a start. The intention is to draw attention to and emphasize the dramatic potential of new texts.
Constructed Weather (part2)
Jonna Hägg
4 November 2018 - 31 October 2019
The project revolves around the weather, the force of nature and its soundscapes. The sound tracks will be based on field recordings made in different locations, mostly from Iceland and Gotland. In these sounds the power of nature is in a kind of imbalance: the sounds are threatening, vibrating, alarming and capturing at the same time nature’s great reserves of power.
WE (working title)
Janne Schäfer, Kristine Agergaard
26 November 2018 - 31 December 2019
The visual artist duo J&K has been invited by IAC and Inkonst to develop their first piece for stage. The work is positioned on the threshold between fine and performing arts and will both be a performative installation and a visual play. J&K will experiment with combining and juxtaposing fragments, ritual elements and immersive participation as well as staged abstract material installations into a durational multimedia piece.
Halla Steinunn Stefánsdóttir
Halla Steinunn Stefánsdóttir
1 August 2015 - 31 August 2021
Halla Steinunn Stefánsdóttir has been the artistic director of Nordic Affect since its inception in 2005. Believing that the exciting things happen "in the connection" Halla Steinunn’s work with the ensemble has been a tour de force when it comes to collaborative relationships with composers, visual artists, and producers. Furthermore she’s brought the spotlight to women’s role in music history, leading to projects such as HÚN/SHE which was broadcast by the European Broadcasting Service in 2015.

With degrees from The Royal Danish Academy of Music and Indiana University School of Music, Halla Steinunn now holds a PhD position in artistic research at Lund University, in a time where the divide between creator and performer is being questioned in theoretical writings and in practice.