The projects objective is to research the potential of site-specific immersive performance practice especially in regards to downscaling the aspect of production and interventions. The project deals with different qualities of presence and awareness transcending the content, methods and form. The work aspires to heighten the quality of awareness of the performance guests through minimal means

Of mist and clouds is a work for transmitted voices developed during a residency at the Inter Arts Center. With the voice as its key object and the thematic figure of the rumor at its centre, the project Of mist and clouds explores the relation between voice and space. The work will be presented as a sound installation during the Transistor festival at the IAC.

Total Leatherette is a Psych-Vogue project which informs experimental compositions through the experience of the post-industrial cosmopol, anxiety-stricken cause and effect of sensitive being - serving as a fever dream to those most likely to fail but encouraging to bask in that righteous climax.

The project AMFI # 1-4 (working title), deals with the question of how one with sound design and video can create a dramatic situation in a lyrical text performed on stage. The project aims to investigate the staged reading as a theatric form in order to create a new scene for contemporary drama – with monthly premieres where texts are read and dramatized through video and sound design during a two years period as a start. The intention is to draw attention to and emphasize the dramatic potential of new texts.

SOUND SPACES was born with the aim to provide the city of Malmö with new music, opening up the perspective towards the most cutting-edge international sound-based practice. SOUND SPACES is a window open to the present world of music creation, with international composers and performers the program includes selected pieces, both instrumental and acousmatic.

Intonal is an annual festival for experimental and electronic music that has been held in Malmö, Sweden since 2015. The focus of the festival is to offer an international programme of experimental and electronic music covering a wide range of genres, subgenres and unique expressions.

The project revolves around the weather, the force of nature and its soundscapes. The sound tracks will be based on field recordings made in different locations, mostly from Iceland and Gotland. In these sounds the power of nature is in a kind of imbalance: the sounds are threatening, vibrating, alarming and capturing at the same time nature’s great reserves of power.

In the first half of January, the IAC hosted ‘Jaktlaget’, a participatory performance about the status of hunting in contemporary society. At the beginning of April ‘Jaktlaget’ will enter the second round at IAC, ending up with a premiere at Inkonst on the 12 and 13 April 2019. ‘Jaktlaget’ is a participatory performance. It will be both violent and cute, a healthy day in the woods and a cringy nightmare.

The four pieces all consist of material taken from a screen recording of the episode Coral Reefs from the largely successful show Blue Planet II. Each of the four sound pieces are experienced through specific visuals. The visuals are an outcome of a layering of all the original videoclips where each categorized sound was presented. The video segments vary in length, so that the visual outcome is a constantly changing performance of floating, gliding, dancing and charging animal movements.

The IASPIS residents in spring 2019 in Malmö are Claudia Del Fierro and Ivo Vidal. The two artists will participate in the exhibition Remembering What Is: Chile’s Recent History in Film and Art which opens on January 25 at Lunds konsthall. During their residency project, they will develop their individual as well as collective work in relation to the ongoing exhibition as well as to their previous research.

The visual artist duo J&K has been invited by IAC and Inkonst to develop their first piece for stage. The work is positioned on the threshold between fine and performing arts and will both be a performative installation and a visual play. J&K will experiment with combining and juxtaposing fragments, ritual elements and immersive participation as well as staged abstract material installations into a durational multimedia piece.