The project “Maintenance” investigates how certain images and objects shape and construct our idea of reality, authenticity and space, by examining souvenirs, toys, architectural floor plans, impulse responses, foley sound and programming languages. It consists of different animated scenes, populated by animated 3D-scans of souvenirs and cleaning supplies.

“Marmorsånger” is a collaboration between vocal performer and composer Madeleine Jonsson Gille and writer and stage director Anna Jakobsson. In their project, they will stop fighting the clichés associated with images of women in classical/operatic music and literature, and instead approach these with tenderness and curiosity. The aim is to design a live-art concept, which could be further developed both as a show/concert experience and as an ongoing research enquiry.

‘Returning the Ear’ is an on-going collaboration between Tim Shaw and Jacek Smolicki. It is a particular method for attending to, archiving and mediating space through an array of sonic interventions and on-site experiments. If traditionally the experience and documentation of place has been performed through visual or textual means, the approach of the artists attempts to bring attention to practices of listening and audio-recording. 'Returning the Ear' is about questioning and testing diverse natures of listening and recording through performative walks within public space, in both urban and rural environments.

ShareMusic’s work contributes to the digital development that allows more inclusive ensembles and people to actively participate in artistic processes as co-creators. The residency comprises different workshops, where students from the Malmö Academy of Music, studying composition and arranging, work together with ShareMusic’s Elefantöra ensemble and musicians from Gageego! – ensemble for contemporary music. A range of interfaces will be explored and used, while working with digital technology and traditional instruments. The residency offers the ideal space and environment to further work towards the long-term goal to establish more people with different abilities becoming artists, being able to compose and/or perform music.

"Athroa" is a composition that combines an improvised electroacoustic performance with an interactive light installation. In this composition, space, rather than time, is the basis of formal organisation, and the experience of the music will be embodied in the process of navigating through space and observing objects from different vantage points. The music is in counterpoint with a light installation which interacts with the sounds and musical textures in non-obvious (non-rhythmical) ways.

The project "Vem Kan Bli Producent" is centered around creating a community for women and transgender people of all genders involved or interested in sound tech and music production. This includes creating a national and international network, doing workshops, seminars, meet-ups and each year to have a longer educational program for active music producers. The idea is to make knowledge more accessible and to create and nurture a platform where people can find each other, share ideas and collaborate.

“Sound Matter/Waterways” is a live performed sound piece, exploring the physical and visual aspects of sound through the matter of water. Sanna Blennow and Rebecka Holmström are a choreographer/dancer and an artist/stage designer, working with sound as the connective tissue between them. Through the sounding matter of water, the artists are searching for possible narratives, trajectories, patterns, asking themselves about the relationship between body and sound.