In the concert performance 'Mother of Pearl' Barbara and Marie-Louise are transformed into abstractions of oysters stemming from a surreal world under water in a depth where the boundaries between humans and other living organisms dissolve. By setting metal plates into motion, the plates function as musical instruments. A rhythmic interference occurs, as a result of playing rhythmic polyrhythms together.

The world is in flux: Old power structures are shifting, extreme positions are rising and national interest are infiltrating international collaborations. Jacob Remin (DK) and Sergey Filatov (RU) are interested in exploring the field between media and physical objects, where media starts eating and manipulating what was once thought solid. Through custom built field recording techniques, they will explore the sounds produced by wireless internet signals and the circuitry of media infrastructures.

"Potential for 1000 recorders" is a sound installation that operates within a potential state without any physical sound. The potential state of the installation will allow the listener to create their own imaginary soundscape by using their inner ear, being different for.

'Open End' is an alchemical experiment designed to transform time into matter. Conscious of the impossibility of their attempt, Diethild Meier and Sara Pons choreograph a space in which time extends and compresses, passes, begins and ends, begins and ends again and again, pulsates and vibrates…