'Soap' is a new work being produced by the artist Emilia Bergmark for the exhibition with the same name at the project space Sirin, in Copenhagen. The work was inspired by a sub-genre of British Social Realism known as the "Kitchen-sink-drama". Taking place in the private sphere of the home, 'Soap' addresses contemporary anxieties such as economy, performance pressure, and equality in the modern home with a humorous approach.

'Born Without Hands' is a chorus with an unknown number of voices (belonging to an unknown number of species) giving thanks, praise and head, exorcising and conjuring all of this love wrath. The tools include prayer, knitting, terror, candelabras, breathing and dying.

As selected artist for the open call "IN PROCESS – Experiments and errors" by HAUT and IAC, Oona Libens starts the second part of her residency at IAC. Through the research project 'Spider Threads' Oona will investigate the relationship between binary technology and weaving, as part of a bigger question about how the digital technology could be defined by curiosity and inclusivity instead of commerce and surveillance.

Personal Spa TV is a fictional mobile spa that has its own internal TV channel. This spa has recently started exhibiting performance artists. During the exhibition everything is filmed and some kind of spa treatment is also offered to the exhibition visitors. During the residency at IAC Personal Spa TV staff will learn how to work with live stream and how to build a portable TV studio setting with the help of a green screen and perhaps some inflatable TV studio set design.

The Öresund Collegium for Artistic Research aims to develop collaborations with researchers, artists and their respective institutions in the Öresund region. Its point of departure resides in the fertile and versatile artistic and academic culture prevailing in the area: the three academies of the Faculty of Fine and Performing Arts, the other faculties of LU, the neighbouring universities on both sides of the Öresund, as well as a plethora of local artistic, cultural, social and ecological agents.

Immersive Days #1 is both a network and a new annual gathering of professional artists, curators, researchers, technicians, teachers and students within a broad field of immersive technologies and (artistic) practices. The initiative functions as a continuation of several symposiums, workshops and research into immersive technologies in art.  We meet up to share, explore and playtest XR (extended reality) and immersive sound projects, often works in progress. We give feedback to each other and we share experiences and challenges.

‘Critical Dialogs’ is a contemporary art podcast that will investigate the latent potential of the podcast format to support critical dialogue and innovative forms of art criticism. ‘Critical Dialogs’ will explore emergent approaches to and forms for art criticism that are enabled by today’s media landscape and changing public sphere. Pilot episodes will take the form of conversations among professional art critics on topical issues such as decolonizing/queering art criticism, and the ethics of critique.

‘Transmediating meaning’ analyses audio guides as complex transmedial formats with multiple media shifts: Visual objects, sculptures, paintings, etc., are translated into spoken text whose characteristics, perceptions and readings differ from the ‘original’. An examination of these differences is crucial for the democratic application of audio guides for different visitor groups such as visually impaired visitors that are widely excluded from the art discourse.