The project “Barbara” (the feminine form of the Greek word barbarous, meaning strange, uncivilized, someone who speaks a broken speech) will depart from Moa Franzén’s work with voice as a choreographic material and tool. Through vocal practices Moa will explore different expressions of what is considered human – as well as nonhuman, or “subhuman” – and how we use them or suppress them according to gendered, social, ideological or private grounds. Where and how is the border between the human and the animal crossed? Where, and when, are the in-betweens and how do they sound? For which bodies?

The Sound Environment Centre has acquired a sound bench for different sound experiments, artistic projects and the communication of research. During the Sustainability Week and until mid-summer, the bench will be placed in the Botanical Garden, where a site-specific sound artwork has been developed especially for the bench. For several years, the artist behind the work, Jonna Hägg, has been exploring how the soundscape of the world in general is changing. Human sounds have become so pervasive on earth that we have created a third category just for them: anthropophony. The sound installation is a collaboration between the Sound Environment Centre, the Botanical Garden and the Inter Arts Center, which produced the installation.

The work-in-progress project ‘Electromoves - Game Changers' is a workshop in electro-composition and choreographed audience interaction in 3 parts. Lundgren & Pettersson aim to explore, make a pre-study and an electric soundscape in collaboration with the Malmö based musician & singer Cecilia Nordlund. They will investigate group affiliation and exclusion with a focus on the viewer's attitude and what governs the narrative and group dynamics in a live work through a workshop at IAC.

Tumbling into the space after sadness, ‘Lowlands’ is a soft lament to the voice of self critique. The work shapes a meditative landscape of rippling blue tissue paper that lulls and endures. Images emerge evoking a body falling apart and gathering itself together again, a body at sea and a body on a patchwork of waves. 'Lowlands' is a large-scale solo performance by choreographer Emilia Gasiorek that spans the deep blue depths of our personal emotional landscapes and collective geographical environments.

For “Your sonic medicine” Paolo Thorsen-Nagel will be conducting practical research on different modes of listening. How we perceive sound in relation to space, both physical and mental, will be the driving question for a series of sonic investigations revolving around our listening sense. These experimental settings aim to produce both, more documentary findings, as well as interactive and performative works.

The Öresund Collegium for Artistic Research aims to develop collaborations with researchers, artists and their respective institutions in the Öresund region. Its point of departure resides in the fertile and versatile artistic and academic culture prevailing in the area: the three academies of the Faculty of Fine and Performing Arts, the other faculties of LU, the neighbouring universities on both sides of the Öresund, as well as a plethora of local artistic, cultural, social and ecological agents.

‘Transmediating meaning’ analyses audio guides as complex transmedial formats with multiple media shifts: Visual objects, sculptures, paintings, etc., are translated into spoken text whose characteristics, perceptions and readings differ from the ‘original’. An examination of these differences is crucial for the democratic application of audio guides for different visitor groups such as visually impaired visitors that are widely excluded from the art discourse.

‘Critical Dialogs’ is a contemporary art podcast that will investigate the latent potential of the podcast format to support critical dialogue and innovative forms of art criticism. ‘Critical Dialogs’ will explore emergent approaches to and forms for art criticism that are enabled by today’s media landscape and changing public sphere. Pilot episodes will take the form of conversations among professional art critics on topical issues such as decolonizing/queering art criticism, and the ethics of critique.

Halla Steinunn Stefánsdóttir has been the artistic director of Nordic Affect since its inception in 2005. Believing that the exciting things happen "in the connection" Halla Steinunn’s work with the ensemble has been a tour de force when it comes to collaborative relationships with composers, visual artists, and producers. Furthermore she’s brought the spotlight to women’s role in music history, leading to projects such as HÚN/SHE which was broadcast by the European Broadcasting Service in 2015.

With degrees from The Royal Danish Academy of Music and Indiana University School of Music, Halla Steinunn now holds a PhD position in artistic research at Lund University, in a time where the divide between creator and performer is being questioned in theoretical writings and in practice.