Projects

Born Without Hands
Maja Karlsson, Leif Holmstrand, Samuel A.D. Martín
17 December 2020 - 25 January 2021
'Born Without Hands' is a chorus with an unknown number of voices (belonging to an unknown number of species) giving thanks, praise and head, exorcising and conjuring all of this love wrath. The tools include prayer, knitting, terror, candelabras, breathing and dying.
From Soul to Other
Martine Flor
18 January 2021 - 31 January 2021
During her residency Martine Flor will work on a new video which will be a part of a larger project. This video evolves around a scanned document, containing an anonymously handwritten text with thoughts on psychoanalysis and its relation to language and representation, the image and the gaze. Martine is interested in working with a tension between different ways of seeing and reading, between a materiality of things and the immateriality of the digital, as well the handwriting itself and its assumed relation to memory, thinking and the subconscious.
Öresund Collegium for Artistic Research
Esa Kirkkopelto, Kent Sjöström, Sven Bjerstedt, Jörgen Dahlqvist, Eva Sæther, and many others
21 September 2020 - 30 June 2021
The Öresund Collegium for Artistic Research aims to develop collaborations with researchers, artists and their respective institutions in the Öresund region. Its point of departure resides in the fertile and versatile artistic and academic culture prevailing in the area: the three academies of the Faculty of Fine and Performing Arts, the other faculties of LU, the neighbouring universities on both sides of the Öresund, as well as a plethora of local artistic, cultural, social and ecological agents.
Transmediating meaning
Janneke Schoene
1 September 2020 - 31 May 2021
‘Transmediating meaning’ analyses audio guides as complex transmedial formats with multiple media shifts: Visual objects, sculptures, paintings, etc., are translated into spoken text whose characteristics, perceptions and readings differ from the ‘original’. An examination of these differences is crucial for the democratic application of audio guides for different visitor groups such as visually impaired visitors that are widely excluded from the art discourse.
Red Plague / Make Sound Residency
Julie Nymann, Signe Raunkjær Holm
7 December 2020 - 9 February 2021
‘Red Plague’ (working title) explores the displacement between a live performance and the echo thereof. The title refers to the social phenomenon of ‘dancing epidemics’, especially the incident in 1518 which came to be known as the ‘Dancing Plague of Strasbourg’. This epidemic started when one woman came out of her house and suddenly started dancing, and several hundreds of people joined in.
Critical Dialogs
Christine Antaya, Matthew Rana
15 June 2019 - 31 December 2021
‘Critical Dialogs’ is a contemporary art podcast that will investigate the latent potential of the podcast format to support critical dialogue and innovative forms of art criticism. ‘Critical Dialogs’ will explore emergent approaches to and forms for art criticism that are enabled by today’s media landscape and changing public sphere. Pilot episodes will take the form of conversations among professional art critics on topical issues such as decolonizing/queering art criticism, and the ethics of critique.
Halla Steinunn Stefánsdóttir
Halla Steinunn Stefánsdóttir
1 August 2015 - 31 August 2021
Halla Steinunn Stefánsdóttir has been the artistic director of Nordic Affect since its inception in 2005. Believing that the exciting things happen "in the connection" Halla Steinunn’s work with the ensemble has been a tour de force when it comes to collaborative relationships with composers, visual artists, and producers. Furthermore she’s brought the spotlight to women’s role in music history, leading to projects such as HÚN/SHE which was broadcast by the European Broadcasting Service in 2015.

With degrees from The Royal Danish Academy of Music and Indiana University School of Music, Halla Steinunn now holds a PhD position in artistic research at Lund University, in a time where the divide between creator and performer is being questioned in theoretical writings and in practice.