BEGIN:VCALENDAR PRODID:-//eluceo/ical//2.0/EN VERSION:2.0 CALSCALE:GREGORIAN BEGIN:VEVENT UID:86e559022e2ed783c3b3e56cb3c54a74 DTSTAMP:20260419T174610Z SUMMARY:Malmö Gallery Weekend 2025: Open house at IAC DESCRIPTION:Contact: sylvia.lysko@iac.lu.se\n\nThe IAC is no ordinary exhib ition space but a place for artistic experimentation and exchange of ideas . It brings together artists in a cross-disciplinary environment with a fo cus on artistic research and technical exploration.To celebrate its 15th a nniversary during Malmö Gallery Weekend\, IAC presents an exhibition with artists who have returned to IAC over the years to develop artistic proje cts and explore new forms of collaboration. The works range from drawings and conceptual investigations to video works and staged environments and w ere mainly created by former students from Malmö Art Academy (Frederikke Jul Vedelsby\, Mariella Otto\, Ana Rebordão) and the Malmö Theatre Acade my (Hungry Eyes: Dina Viksten Abrahamson\, Ida Østman\, Mie Kristensen\, Olivia Klang).Opening Hours:Gallery Weekend\, 26–28 SeptemberFri 18:00 –23:00\, Sat–Sun 13:00–17:00Special Events:Friday\, at 15:00–16:00 – Diviner [A] + [B] by Mariella Otto &\; Gabriele de Seta.Screening (ca. 15 min)\, followed by an artist talk\, Q&\;A and book launch.Frida y\, at 16:00 – Join us in the café for cake as we celebrate 15 years of IAC! Please register by 23 September 2025 at the latest by sending an ema il to lili.nottrott@iac.lu.se with the subject line CAKE!Friday\, at 19:00 – Performance Immanuel\, Immanuel! by Hungry Eyes \;Participants: F rederikke Jul Vedelsby / Hungry Eyes / Kent Olofsson / Mariella Otto &\ ; Gabriele de Seta / Ana RebordãoRead more about the participating artist s on the Gallery Weekend project page.Frederikke Jul Vedelsby is a visual artist working with drawing\, text\, and time-based media. In the work I m ust see more of you or I will be quite sad\, a blind singer\, a retired ch ildcare worker\, and a poet organizing flea markets appear among drawings made with oil\, beeswax\, and pigment. In her intuitive\, material-based a pproach\, presence and relationships are central. Her drawings function as visual scripts\, inspired by the bodies and gestures that populate her fi lms. Care and absurdity are interwoven in works that move close to somethi ng known\, yet invite new ways of seeing.Hungry Eyes is a Danish–Swedish performance collective founded by Theatre Academy alumni Dina Viksten Abr ahamson\, Ida Østman\, Mie Kristensen and Olivia Klang. At IAC\, they pre sent their second work Immanuel\, Immanuel! – a conceptual exploration o f the choir as form and method. A choir without choral singing\, an essayi stic\, hopeful and physical choir\, an orchestra that spills out piece aft er piece. With voice\, body\, text and rhythm\, the group shapes a collect ive expression that blurs the line between performance\, concert and ritua l.”ZONA – Music at the Threshold” \;is a one-hour suite of 12 pi eces of electroacoustic music \;by Kent Olofsson\, presented as a bina ural listening experience. The work was \;developed and composed withi n the framework of \;the \;artistic project \;”Zonen”  \;2021-24\, a large-scale project led \;and developed by artist\, dire ctor and writer Nina Jeppsson and composer Kent Olofsson\, \;resulting in a feature film\, musical works\, and stage performance. \;Mariella Otto (visual artist) and Gabriele de Seta (researcher) present Diviner [B ]\, a collaborative video project which elaborate on the black-and-white i mage as a visual model of code and binary systems. Drawing connections bet ween religious\, scientific and technological narratives\, by working with a breed of speckled hens [manipulated] and the generated image\, they exp lore parallels between artificial intelligence and divination – mirrorin g human desires of control and their interplay with chance. The accompanyi ng book [A]\, serves both a prompt for the audio-visual\, and a documentat ion of the project.Ana Rebordão creates staged environments in which she always plays the central figure\, shifting between roles. Her latest piece \, Sometimes it ends with a kiss\, reflects on power relations within fami ly structures. Through absurd\, enigmatic performances\, she evokes a sens e of trauma and gives a sharp voice to silent female characters. The work shows women speaking to themselves beyond the noise of the world\, as a ga me screen interrupts the stillness. Since 2016\, Rebordão has collaborate d regularly with composer and researcher Kent Olofsson at IAC. \;\n\nM ore information about the event: https://www.iac.lu.se/calendar/malmo-gall ery-weekend-2025-open-house-iac DTSTART;TZID=GMT:20250926T160000 DTEND;TZID=GMT:20250928T150000 LOCATION:Inter Arts Center\, 4th floor\, Bergsgatan 29\, Malmö END:VEVENT END:VCALENDAR