BEGIN:VCALENDAR PRODID:-//eluceo/ical//2.0/EN VERSION:2.0 CALSCALE:GREGORIAN BEGIN:VEVENT UID:d5f45a391a197b4d3ae9dd331e7ba2dc DTSTAMP:20260419T182958Z SUMMARY:ELIDE SULSENTI: Music by Sdraulig/Tundo. Performance with cello\, h eadphones and speakers | INTONAL 2026 DESCRIPTION:Contact: sylvia.lysko@iac.lu.se\n\nDates:22 April 2026\, at 17: 00 &\; 19:0023 April 2026\, at 17:00 &\; 19:0024 April 2026\, at 17: 00 &\; 19:00Please note: Limited capacity. Please register here if you want to secure a spot.Programme:Matteo Tundo\, Cuoio\, for cello and elect ronicsCharlie Sdraulig\, Arc\, for celloCuoio \;explores perceptual te nsion as a physical and spatial phenomenon\, treating sound as a material subject to deformation\, resistance\, and release. The compositional model draws on elastic traction: musical parameters behave like an elastic body under stress\, whose perceptual shape changes according to energy\, densi ty\, articulation\, and spectral extension.The first part articulates four modes of tension: constant\, progressive\, impulsive\, and cyclic\, emerg ing from micro-variations rather than from harmonic or dynamic contrast al one. In the second part\, the cello is amplified at a microscopic level th rough contact microphones\, revealing internal frictions and resonances. T his sound is delivered directly to the audience\, placing the listener ins ide the instrument’s resonant body\, while the electronics unfold in the surrounding space. The result is a dual listening scale\, intimate and ex ternal\, where tension becomes a perceptual dialogue between proximity and distance\, materiality and projection.arc is a work for solo cello that e xplores extreme intimacy\, fragility\, and attention at the threshold of a udibility. Performed without a bow\, the piece reimagines cello playing as a tactile\, hyper-sensitive practice based on direct contact between fing ers\, strings\, nails\, and skin. Sound emerges through delicate rubbing\, slipping\, pinching\, micro-movements. In arc\, amplification is not used to increase volume in a conventional sense\, but to enable close\, shared listening. Diffused primarily through open-back headphones\, and mixed wi th live sound and speakers\, the piece creates a porous listening environm ent where intimacy and distance continuously shift. The audience is invite d into an intensified space of attention\, where tiny sonic events are mag nified without losing their delicacy\, and where individual listening coex ists with collective presence. The work also leaves room for interaction w ith the environment: ambient noises\, audience movements\, and the acousti c life of the space may become part of the performance.Elide Sulsenti is a cellist and performer passionate about experimentation and innovation. He r classical training\, which includes studies at the Conservatorio della S vizzera Italiana in Enrico Dindo’s class and the Hochschule of Lucerne\, along with experiences at institutions such as the Ferenc Liszt Academy i n Budapest\, has led her to focus on contemporary music and the exploratio n of new sonic potentials. With an interdisciplinary approach\, Elide inte grates technology\, augmented instruments\, and performative practices in unconventional contexts. Her performances\, ranging from classical to cont emporary music\, have been recognized with distinctions such as the Fritz Gerber Award (2023) and the Valentino Bucchi Prize (2024). Combining artis tic research and experimentation\, she enhances the interaction between sp ace\, sound\, and audience\, a theme that is currently central to her doct oral project at the Conservatorio di Ferrara. \;Visit Elide Sulsenti's artist page – elide.it<\;<\;<\; Go back to the Intonal programme at IAC\n\nMore information about the event: https://www.iac.lu.se/calendar /elide-sulsenti-music-sdrauligtundo-performance-cello-headphones-and-speak ers-intonal-2026-3 DTSTART;TZID=GMT:20260422T150000 DTEND;TZID=GMT:20260422T150000 LOCATION:Inter Arts Center\, 4th floor\, Bergsgatan 29\, Malmö (Black Room ) END:VEVENT END:VCALENDAR